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    La Facoltà di Conservazione dei Beni Culturali dell’Università di Bologna con sede in Ravenna, per iniziativa dell’archelogo prof. Enrico Acquaro, già allievo di Sabatino Moscati ed in atto titolare della cattedra della civiltà fenicio-punica, è impegnata, nel quadro di una intensificata cooperazione con la Tunisia, in una prestigiosa serie di conferenze e di iniziative, appoggiate per quanto di sua competenza dalla Rossella Giglio della Soprintendenza trapanese, nella vasta area centro-occidentale della Sicilia in cui Cartagine esercitò la propria epicrazia. Il primo incontrò avrà luogo a Trapani, in via Cappuccini n. 7, alle ore 17,30 di martedì 4 maggio, con una relazione di Enrico Acquaro che qui dirige il Corso di Laurea in Archeologia del Mare. Il tema trattato sarà il seguente: “La Sicilia punica: storia di un’identità”. Il convegno è promosso dal Club Unesco di Trapani, dall’Università di Bologna e dal locale Consorzio Universitario. Il secondo momento, voluto dalla sopra citata Facoltà bolognese di Conservazione dei Beni Culturali, dal suddetto Consorzio Universitario e dalla Soprintendenza per i Beni Culturali di Trapani, è costituito da una tavola rotonda che si svolgerà mercoledì 5 maggio, alle ore 10,30, presso il Campo Archeologico Museale di contrada Triscina a Selinunte con interventi di Nicola Cusumano, Paola De Vita, Rossella Giglio, Alessandro Iannucci, Antonella Lamia, Manuel Martinez, Simone Rambaldi e Giuseppe Salluzzo. Methods & Materials Istitutional review board apporval was obtained. disc herniation, neuroforaminal or spinal stenosis) and scan time. D., Non ASSR Member Paper/Non-Mentor Purpose To study the value of a 3D T2w MR sequence in comparison to conventional 2D T2w sequences within a routine cervical and lumbar spine MR protocol with special focus on detectability of pathology (e.g. A total of 30 patients (15 cervial, 15 lumbar spine MRIs) were examined with a routine sequence protocol approved by local medical authorities. The cervical spine protocol consisted of a sagittal T2w and T1w sequence (FOV 25×25 cm, Matrix 256×256, Slice Thickness: 3 mm, Gap: 0,3 mm), transverse T2w sequence and a coronal T2 STIR sequence (FOV 20×18 cm, Matrix 288×224, Slice thickness: 3 mm, GAP: 0,3 mm). The lumbar spine protocol consisted of a sagittal T2w, T1w and coronal T2 STIR sequence (FOV 30×30 cm, Matrix 512×256, Slice Thickness: 4 mm, Gap: 0.4 mm), and a transverse T2w sequence (FOV 24×24 cm, Matrix 384×256, Slice thickness: 4 mm, Gap: 0.4 mm). An additional 3D T2w sequence (CUBE: FOV 300×270 mm, Slice thickness 1,0 mm, Matrix 288×288) in sagittal orientation was used in all patients for study purposes.

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    Sharon Irish slirish (at) gmail (dot) com DEGREES 1985 Ph D, Northwestern University, Evanston, Illinois, Art History 1982 MA, Northwestern University, Evanston, Illinois, Art History 1976 BA, University of New Mexico, Albuquerque, New Mexico cum laude in Art, magna cum laude in General Studies CURRENT Retired, independent researcher SELECTED LECTURES AND PRESENTATIONS “Stephen Willats’ , New York City, February 15, 2017 “Stephen Willats and the Performance of Information Flows,” Computer Arts Society, London, U. K., May 9, 2016 ”Predictive and Prescriptive Thinking: Considering Stephen Willats,” Anticipation Research Group, University of Bristol, Bristol, U. K., April 28, 2016 “Coded Landscapes: Stephen Willats’ Place-Based Work in the UK,” Museo Tamayo, México, D. F., February 10, 2015 “Fem Tech Net,” With Radhika Gajjala and Alexandra Juhasz, Fem Tech Net Video Dialogue on “Place” November 14, 2013, Pitzer College, Los Angeles, CA Central Library Reinvented, May 8, 2013, St. Louis Public Library” Network 45-plus: Post-War Architecture in Europe: Community Spaces: Conception, Appropriation, Identity, September 8, 2012, Technische Universität Darmstadt, Germany, “Two Doves to Tower Mosaic: Artists in Public at Warwick and Brindley Estate, London” Visual Studies Colloquium, November 3, 2011, Illinois State University, Bloomington-Normal, IL, “Positionality, Performance, Participation: The Art of Suzanne Lacy” Rewire: the 4th International Conference on Media Art Histories, September 28-30, 2011, Liverpool, UK, “The Socio-spatial Practice of Artist Stephen Willats” Tryk Tryk Tryk Gallery, June 18, 2011, Copenhagen, Denmark, “Traversing Art: Works by Suzanne Lacy” (book talk) Erasing Boundaries: Service-Learning in Landscape Architecture and Architecture, April 30, 2011, New York City [Poster] “Spaces of Connection: Designing a High-Tech Collaborative Space for Youth,” with Deven Gibbs, Martin Wolske and Debarah Mc Farland Computers, Information and Society Special Interest Group, Society for the History of Technology, October 3, 2010, Tacoma, Washington, “Meta Filter: Coming to Agreement with Interactive Computer Technology” Center on Democracy in a Multiracial Society, University of Illinois, Urbana-Champaign, April 7, 2010, Roundtable, “Diversity and Democracy” conference, with Sam Smith, Ken Salo, and Ryan Griffis, “Reflecting on Campus-Community Interactions: Arts, Activism and Public Memory” Urbana Free Library, March 17, 2010, Urbana, IL, “Concepts in Public: The Art of Suzanne Lacy” (book talk) College Art Association Annual Meeting, February 2010, Chicago, IL, “Aspects of the Civic: Chicago’s Daley Center and Plaza” Community Informatics Initiative Research Series, January 27, 2010, Graduate School of Library and Information Science, University of Illinois, Urbana-Champaign, “Imperfect Community” GRANTS 2018, Graham Foundation for Advanced Studies in the Fine Arts, Chicago, IL, Publication Grant, “Stephen Willats and the Social Function of Art: Experiments in Cybernetics and Society” 2015, Creative Capital | Warhol Foundation Art Writers Grant Program, Stephen Willats, 1970-2012 2015, Paul Mellon Centre for Studies in British Art, Stephen Willats, 1970-2012 2014, Colston Research Fellowship, Institute of Advanced Studies, University of Bristol (UK), Department of Drama: Theatre, Film & Television, “In the Margins? “Art in Public at Warwick and Brindley Estate, London.” In Community Spaces: Conception – Appropriation – Identity. Local Knowledge and Self-Organisation” 2011, Graham Foundation for Advanced Studies in the Fine Arts, Chicago, IL, Research and Development Grant, “The Socio-spatial Practice of Artist Stephen Willats” 2003-2005, University of Illinois Research Board, “The Embodied Art of Suzanne Lacy” 2000-2001, University of Illinois Research Board, “Layers in the Loop: ‘Full Circle’ by Suzanne Lacy” PUBLICATIONS: Winner of David Gebhard Book Award of the Minnesota Chapter of the Society of Architectural Historians, 2000; Winner of Publication Award, Metropolitan Chapter of the Victorian Society in America, 2000; Finalist, Minnesota Center for the Book Award in History, 2000; published as e-book by Random House, 2010 Edward N. Edited by Maren Harnack, Tobias Michael Wolf, Sebastian Haumann, et al. (Berlin: ISR Impulse Online/Institut für Stadt- und Regionalplanung, 2015). “Spaces Of Connection: Implementing the Design of a High-Tech Learning Space for Youth.” In Community Matters: Service Learning and Engaged Design and Planning. Edited by Gabrielle Cody and Meiling Cheng (Routledge, 2015). Edited by Mallika Bose, Cheryl Doble, Paula Horrigan, and Sigmund Shepp. (refereed) “‘Great Gray Buildings’: The United States Army Supply Base in Brooklyn, New York.” Pp. (invited) “Hierarchies in the Circuitry: Women, Information Technology and Scholarship (WITS) at Illinois.” Technology’s Stories [online publication of the Society for the History of Technology] (November 2013). “Structures of Participation: Performing Local Knowledge.” 49:1(January 2008): 202-214. Three Interviews on the Concept of Spatial Justice.” Producer and interviewer. Prednisone for sale online Buy prednisolone 20mg no. azithromycin dose for cats Buy Prednisone Online from Reputable online pharmacies. 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